Ebook Blind Owl Blues: The Mysterious Life and Death of Blues Legend Alan Wilson, by Rebecca Davis
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Blind Owl Blues: The Mysterious Life and Death of Blues Legend Alan Wilson, by Rebecca Davis
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This is the long-awaited story of Alan Wilson, musical genius and co-founder of Canned Heat. Biographer Rebecca Davis journeys through his artistic innovations, tormented personal life, obsessive love of nature, and mysterious death. A key figure in the 1960s "blues revival", Wilson participated in the rediscovery of Son House, and wrote scholarly analyses of House and Robert Pete Williams. He went on to co-found pioneering blues-rock band Canned Heat, becoming an unlikely rock star. Known as "Blind Owl", he was responsible for the hit songs "Going Up the Country" and "On the Road Again".
- Sales Rank: #862625 in Books
- Published on: 2013-03-28
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .63" w x 6.00" l, .83 pounds
- Binding: Paperback
- 276 pages
About the Author
Rebecca Davis is an author, historian, and consultant. She lives in the American West where she creates hand crafted art products and gourmet caffeinated beverages.
Most helpful customer reviews
11 of 12 people found the following review helpful.
I just had to read on....
By Lennie Jones
I totally agree with the prior review of "Bizby" on this...Alan was such an amazing blues blessing in the 60's: Impeccable tone, taste & unique delivery. I was fortunate to have met Alan in 1967 when my group opened for Canned heat for two nights in Washington , D.C....How humbling to blow harp on stage as Alan & the Bear looked on.His awkward shyness was readily apparent, as was Bobs positive mojo and friendly spirit. What a band! Larrys bass playing , intelligence & affable spirit was amazing, Henrys blues storm & phat tone, wow. White boys consumed & competent in the blues.Truly, Heat was never the same after Alans passing, although the dynamic Fito de la Parra has done an amazing job of preserving the spirit & legacy of this wonderful band.So...this poorly written volume is what we are left with.No photos, repetitive text, typos, & lack of substantive interviews...Yet I was compelled to read on, hoping to garner a little more insight into the American genius of Alan Wilson....
10 of 11 people found the following review helpful.
Illuminating biography despite it's flaws
By magical_radish
This book has helped me gain a deeper understanding of the life of the late co-founder/leader of Canned Heat and blues man, Alan Wilson. For a reader like me, someone totally new to the "Blind Owl", it is a really good primer about his character, background, and artistic drive. The biography does come up a bit short on artistic analysis so if you, good reader, are already well versed on Wilson -and artistic analysis is an important feature to you- you may find this book wanting. That's not to say that this is a shallow read. The book states in the introduction that it "...is not an in-depth musicological study; rather, it is a biographical tribute." I feel it delivers as a tribute and promotes his music and awareness of his interests. Additionally, my understanding is that this is a self-published, self-financed first book; a culmination of years of research where many would-be prospective interviewees were unavailable for whatever reason. The pool of insights to draw from has been narrowed. I imagine this would make for quite challenging research efforts. Despite these hurdles, I feel that this biography delivers what it sets out to do. It is a key resource in learning more about the Blind Owl in a world where amplified information on him seems scant.
Other salient points: the book, as other reviews have mentioned, has it's fair share of typos and some unnecessary repetition in places relating to Wilson's personal habits. As I awaited my second edition to arrive, I anticipated these first edition typos would be corrected. However, the typos are still there in the second edition waving at you. Apparently, photos were abundant in the first edition but in this second edition there are none. I am wondering why that is the case.
I found the book to be engrossing. From everything I have gathered through this biography and what I could find on the internet, Blind Owl is sadly all-around under appreciated and underrated. I have been alive for almost the exact length of time Wilson has been gone and this year (2014) is the first I am learning about him? He is a most fascinating character with much to learn from so it is a shame. I have a feeling that his obscurity is due to wider cultural reasons, at least in-part. A documentary or biopic (a-la Daniel Johnston?) would be great to see...seems unlikely, but who knows...
Despite these aforementioned flaws I think it is a good -if somewhat basic- biography that does what it purports to do. Yes, it has it's limitations but still serves as a good introduction on the life of Alan Wilson.
17 of 21 people found the following review helpful.
I Really Wanted to Like This Book...
By Bryan D. Bowman
and I wish I could say that I did. I have been an admirer of Alan Wilson since his work with Son House. He was expressive and exciting on his instruments and was incredibly innovative in many of his conceptions. I always felt he had a lot more left to play than he wound up having time for. Having noted this, I must say that this biography really misses.
You get the sense of a dry and not sufficiently clueful tone very quickly, as authorial intrusions and conjecture pertaining to Wilson's early life are jarring and naive.
Most readers will plod on, hoping for insight on the creative process that drove his most well-known work will emerge. These readers will be disappointed. Interviews with John Fahey and a few of Wilson's less well-known cronies are a little helpful in creating a larger understanding of Wilson's interest in Indian classical music and other non-blues music, but there is no sense of an artist creating a body of work, and the excitement that you would think would have been present during the creation of such a dare I say "fusion" work as "On the Road Again" is not conveyed.
The author very vaguely alludes to the ex-Canned Heat drummer having his own book, which possibly explains why she apparently had little cooperation from him. One potential source very conspicuous in absense is Larry Taylor. Already an accomplished musician prior to his involvement with Wilson, Taylor has gone on to be one of the more respected muscians around. His work bespeaks an intelligence and sensitivity that would have added tremendously to the chapters dealing with Wilson's highest-profile music.
I've often found that biographies written by authors who were not yet born during the peak years of their subjects have a real challange in grasping the context of the work. I don't feel the author has met this challange. Also - a few technical things: the author does not seem to be familiar with the Little Walter recording that "An Owl Song" refers to very specifically. Later she notes a passage in a lyric to a different song that she believes to refer to the members of Canned Heat. In fact, the lyrics she cites are clearly derived from a song by Boogie Bill Webb that was collected in a reissue compilation put out by Alan Wilson's record label during Wilson's life; Wilson was likely familar with Webb prior to the reissue and was almost certainly aware of the reissue. The very few recordings available by Boogie Bill Webb were exactly the kind of thing Alan Wilson immersed himself in. It would seem to me that the author's not picking up on things like this would indicate a general unawareness of Wilson's mileau, rendering the interest of Alan Wilson in particular puzzling.
During the early rise of Canned Heat Wilson was interviewed at length for Down Beat magazine. You can find this interview on line. It reveals his consumate intelligence and artistry far more eloquently than this book ever does. Given the relative obscurity of Alan Wilson, it is unlikely that there will be more published biographies. Therefore, those of you out there who have a passion for knowing what there is to know about Wilson, you might as well get this. You should also know that the book is very poorly produced (the cover will curl forever once the book is opened for a few minutes) and that there are no photographs. Zero. Odd. Oh well.
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