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• Published on: 1600
• Binding: Paperback

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Margaret Atwood takes the art of storytelling to new heights in a dazzling new novel that unfolds layer by astonishing layer and concludes in a brilliant and wonderfully satisfying twist.

For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious.

The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental. But just as the reader expects to settle into Laura's story, Atwood introduces a novel-within-a- novel. Entitled The Blind Assassin, it is a science fiction story told by two unnamed lovers who meet in dingy backstreet rooms. When we return to Iris, it is through a 1947 newspaper article announcing the discovery of a sailboat carrying the dead body of her husband, a distinguished industrialist.

Told in a style that magnificently captures the colloquialisms and clichés of the 1930s and 1940s, The Blind Assassin is a richly layered and uniquely rewarding experience. The novel has many threads and a series of events that follow one another at a breathtaking pace. As everything comes together, readers will discover that the story Atwood is telling is not only what it seems to be--but, in fact, much more.

The Blind Assassin proves once again that Atwood is one of the most talented, daring, and exciting writers of our time. Like The Handmaid's Tale, it is destined to become a classic.



From the Hardcover edition.

• Sales Rank: #644823 in Books
• Published on: 2005-05-17
• Released on: 2005-05-17
• Formats: Audiobook, Unabridged
• Original language: English
• Number of items: 15
• Dimensions: 5.90" h x 1.50" w x 5.10" l,
• Running time: 1020 minutes
• Binding: Audio CD

Amazon.com Review
The Blind Assassin is a tale of two sisters, one of whom dies under ambiguous circumstances in the opening pages. The survivor, Iris Chase Griffen, initially seems a little cold-blooded about this death in the family. But as Margaret Atwood's most ambitious work unfolds--a tricky process, in fact, with several nested narratives and even an entire novel-within-a-novel--we're reminded of just how complicated the familial game of hide-and-seek can be: What had she been thinking of as the car sailed off the bridge, then hung suspended in the afternoon sunlight, glinting like a dragonfly, for that one instant of held breath before the plummet? Of Alex, of Richard, of bad faith, of our father and his wreckage; of God, perhaps, and her fatal, triangular bargain. Meanwhile, Atwood immediately launches into an excerpt from Laura Chase's novel, The Blind Assassin, posthumously published in 1947. In this double-decker concoction, a wealthy woman dabbles in blue-collar passion, even as her lover regales her with a series of science-fictional parables. Complicated? You bet. But the author puts all this variegation to good use, taking expert measure of our capacity for self-delusion and complicity, not to mention desolation. Almost everybody in her sprawling narrative manages to--or prefers to--overlook what's in plain sight. And memory isn't much of a salve either, as Iris points out: "Nothing is more difficult than to understand the dead, I've found; but nothing is more dangerous than to ignore them." Yet Atwood never succumbs to postmodern cynicism, or modish contempt for her characters. On the contrary, she's capable of great tenderness, and as we immerse ourselves in Iris's spliced-in memoir, it's clear that this buttoned-up socialite has been anything but blind to the chaos surrounding her. --Darya Silver

From Publishers Weekly
Starred Review. Atwood's Booker Prize–winning novel, with its 1930s setting and stories within stories, is well suited to audio dramatization. O'Brien has simplified and streamlined the structure so that it jumps around in time less and makes clearer parallels between past, present and the whimsical internal novel. Some dialogue has been added, while many meditative and descriptive sections are absent, but the new words blend gracefully with Atwood's own, and her elegant style remains intact despite the omissions. Abundant sound effects make the production much richer than many audiobooks; it sometimes seems like a movie without the visuals, with chirping birds, clinking silverware and the murmur of crowds filling in the background. Music that alternates between a lovely, slightly melancholy theme and an ominous one, helps highlight the shifts from the protagonist Iris's personal history to her retelling of the novel. The skills of the cast almost make such extras unnecessary: the three women who play Iris at different ages capture her brilliant but frustrated spirit perfectly, while the actresses for her troubled younger sister, Laura, find just the right blend of dreaminess and defiance. Though in some respects this adaptation is less intricate than the rather complicated original, the condensation serves it well, making the story more tightly wound and intense in a way that should attract listeners who may be put off by Atwood's writing. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Library Journal
Atwood does not mess around in her riveting new tale: by the end of the first sentence, we know that the narrator's sister is dead, and after just 18 pages we learn that the narrator's husband died on a boat, that her daughter died in a fall, and that her dead husband's sister raised her granddaughter. Dying octogenarian Iris Chasen's narration of the past carefully unravels a haunting story of tragedy, corruption, and cruel manipulation. Iris and her younger sister, Laura, are born into the privileged Canadian world of Port Ticonderoga in the early part of the 20th century. At 18, Iris is the marital pawn in a business deal between her financially desperate father and the ruthless, much-older industrialist Richard Griffen. When the father dies, the rebellious Laura is forced to move into Richard's controlling household, accelerating the tangled mess of relentless tragedy. At this point, Atwood brilliantly overlays a second story, an sf novel-within-a-novel, credited to Laura Chasen, that features nameless lovers trysting in squalor. Some readers may figure out Atwood's wrap-up before book's end. Worry notDnothing will dampen the pleasure of getting there. Highly recommended.
-DBeth E. Andersen, Ann Arbor Dist. Lib., MI
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Be wary of hot, intelligent, passive-aggressive women
By Ethan Cooper
The narrator of THE BLIND ASSASSIN is Iris Chase, who is 83, one of two survivors of a wealthy family, the widow of an ambitious conservative politician and businessman, and the sister of Laura Chase, the author of a single acclaimed novel who died young. In telling the story of the blind assassin, Iris primarily inhabits three states of mind.

o She is the old Iris at the beginning of each chapter. This Iris is infirm, dependent on the goodwill of others, and writing a book. She is also highly regretful about the past and her own character and truly misses her granddaughter, from whom she is estranged. Suitably, this old Iris begins each chapter with a few observations about the weather.

o She is the passive-aggressive daughter of a wealthy but doomed businessman and the wife of an older man who was seeking a trophy wife. When recalling this person, Iris describes a young woman, dominated by her husband and hateful sister-in-law, who hides her intelligence and tends to lie her way out of difficult situations. This Iris tolerates (barely) sex with her husband.

o She is a competitive and not always admirable sibling. She also keeps herself going through an affair with a man who is a class enemy—a possible Commie!—of her husband. In this affair, Iris is in her twenties, aware that she is an attractive female, and enjoys sexual frisson and interplay with her lover. IMHO, this Iris is Atwood at her best, with this Iris showing how women pursue, enjoy, and take risks with sex. This stuff is hot.

Ostensibly, “The Blind Assassin” is the name of a science fiction story that the young Iris’s lover tells her, chapter by chapter, as they tryst in shabby hotel rooms or the tacky apartments of friends of friends. As her lover tells this story, a highly intelligent Iris is delighted, outraged, turned on, and playful while her lover, framed for a murder that occurred during a contentious labor strike, worries about who he can trust and the ubiquitous threat of arrest.

But midway through this book, Atwood drops this science fiction story, leaving this reader to wonder: Why name a long novel for what is really just a minor aspect of the book? Well, it turns out that THE BLIND ASSASSIN is more than a mere entertainment told to a lover. Instead, it is an apt description of a character that sometimes, irresponsibly, chooses not to see and at other times is nasty and vengeful.

In reading TBA, I also wondered how the young Iris could be passive, dominated, and dull in one context and risk-taking and hot in another. On this issue, Atwood once again demonstrates her great literary skill, with these two very different young women finally and convincingly contained within the personality of the complex Iris.

This is a fine novel and is highly recommended.

7 of 7 people found the following review helpful.
Densely Written... Story within a Story... One of my All Time Favorites!
By booknosh
Cut to the Chase:
A novel within a novel with little stories nested in between, this is an intricately woven tale about two sisters’ loves and lives, spanning over six decades. There are three distinct sections to this novel: a series of flashbacks by an octogenarian who initially claims she’s unsure who she is or why she’s cataloguing all of this, a series of local newspaper articles detailing the social events, political ambitions, and deaths of some of the more prominent characters, and a novel (also titled The Blind Assassin) that switches between detailing a love affair between a wanted man and a socialite and a fantastical science fiction story about an ancient destroyed world where virgins are still sacrificed and the woven blankets are measured by how many children lost their sight weaving them. If I had to be picky, I would say that yes, some of the twists are a little predictable, but overall, this is, in my opinion, Atwood at her best — it’s thoroughly well-written, crafted, thoughtful, provocative, and masterful. Rereading it now, almost a decade later, it is still my favorite work by her.

Greater Detail:
Our two main protagonists are Laura Chase and Iris Chase Griffen, the wealthy daughters of Captain Chase, an alcoholic war veteran who runs a button factory more by moral principles than economic realities. They’re more or less raised by a loyal servant named Reenie after their mother passes away (complications from childbirth), with their father slowly running the business into the ground, and neither of them really trained for life outside of their sprawling estate. Though the tone with which they interact with one another is often quite pitiless, these are both strong, engaging characters, struggling to make sense of the world around them.

We begin with Laura’s death: though it is officially ruled an accident, witnesses say she drives off the cliff on purpose, and one of the leading threads of the story is for us to find out how we got to such a pivotal point. We learn that Iris had a novel by Laura published posthumously, and that this book ended up being quite scandalous (for the time period). Detailing an illicit love affair between a socialite and a science fiction pulp writer, it’s something that her sister Iris notes (in the present) would hardly turn heads now, but at the time, was racy and divisive enough to inspire hate mail and censorship, as well as memorial awards decades later. Further, the book had personal ramifications for the characters in sometimes surprising ways, triggering a suicide and other reveals.

Some of the parts with Iris in the present feel a little slower relative to the pacing and urgency with which the characters interact in the novel-within-a-novel setting, but overall, it’s nicely juxtaposed throughout, and though these are women who have survived a series of tragedies, sometimes by judging themselves and others quite mercilessly, you feel for them both — the way they’ve purposefully and accidentally influenced, loved, protected and hurt each other, sometimes with the best of intentions, sometimes with no awareness whatsoever.

I read and loved it a decade ago, when it first came out, and though I’ve since read almost everything (from poetry to her novels) by Atwood, this remains my favorite — its plot feels the most ambitious, and the relationships and characters detailed, sharp and unforgettable.

Comparisons to Other Books and Authors:
One of the things I’ve loved about both Atwood and Kurt Vonnegut is that they tend to tread and blend the lines between science fiction and what’s more traditionally considered literary fiction. The novel-in-a-novel part of this are the free-form, grammar-be-damned styles that Vonngeut, or perhaps Junot Diaz in The Brief Wondrous Life of Oscar Wao, might use. This has been balanced wonderfully by the more lethargic present-time ruminations, and the generational tension and stories mired in decades of familial history is similar to Empire Falls by Richard Russo. I still think it’s Atwood’s most successfully ambitious and balanced work, with protagonists more deserving of empathy than our lead in Alias Grace and technically far more well crafted than Atwood’s The Handmaid’s Tale.

c booknosh.com reviews

3 of 3 people found the following review helpful.
Wonderful genre-bending novel
By Reid
I am a big fan of Margaret Atwood, though I haven't read all of her books I've loved every one I have read. This one is probably my favorite. It has a whole mess of layers, with a first-person memoir interrupted by both news clippings and excerpts from a novel within the world of the book. Not only that, but a significant portion of that novel is taken up with a man telling an epic sci-fi story to his girlfriend, so there are at least four layers of narrative.

This can be jarring at the beginning of the book as you swing between very different voices and genres of story, but as the book builds, these pieces intersect and inform each other, and by the end it comes together as one masterpiece. Along the way it offers remarkable insight into many topics, especially gender politics, class struggle, and 20th century Canadian history.

I won't give much away of the plot, but that's just because my words wouldn't do it justice. The writing and characters and structure are great enough that even though there are twists and turns, it does not depend on them. Whether you get anything spoiled for you or not, it will still be a joy to read.

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Human Brain Electrophysiology.

• Sales Rank: #4916996 in Books
• Published on: 1989-01
• Original language: English
• Binding: Hardcover
• 696 pages

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7 of 7 people found the following review helpful.
An Excellent Overview of the field
By A Customer
Regan does a good job at presenting a overview of brain eletrophysiology and ERPs. This book is a valuable resource to any ERP researcher. It covers a variety of aspects within the field, and also proves to be a nice resource for suggestions of further literature of the various topics covered in the book. Hope to see a new edition of this book someday, as it is now out of print and hard to find.

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• Sales Rank: #4117442 in Books
• Published on: 1965
• Binding: Paperback

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0 of 1 people found the following review helpful.
Search For Truth Bible Study Course (Italian kitchen)
By dawn
I highly recommend the search for Truth study guide. Is an awesome study guide for bible Studies. I received the study chart from Church but were out of the course study guide to go along with it. Just happened to find it on Amazon. I needed it right away for a bible study came in quickly.

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[M597.Ebook] PDF Ebook Making Ideas Happen: Overcoming the Obstacles Between Vision and Reality, by Scott Belsky

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"Ideas are easy. Implementation is hard. This book helps you with the hard part."
-Guy Kawasaki, author of Enchantment

 

According to productivity expert Scott Belsky, no one is born with the ability to drive creative projects to completion. Execution is a skill that must be developed by building your organizational habits and harnessing the support of your colleagues.

As the founder and CEO of Behance, a company on a mission to empower and organize the creative world, Belsky has studied the habits of especially productive individuals and teams across industries. Now he has compiled the principles and techniques they share, and presents a systematic approach to creative organization and productivity.

While many of us focus on generating and searching for great ideas, Belsky shows why it's better to develop the capacity to make ideas happen-a capacity that endures over time.

• Sales Rank: #93606 in Books
• Published on: 2012-03-27
• Released on: 2012-03-27
• Original language: English
• Number of items: 1
• Dimensions: 8.40" h x .70" w x 5.40" l, .50 pounds
• Binding: Paperback
• 256 pages

Amazon.com Review
Amazon Exclusive: Seth Godin Reviews Making Ideas Happen

Seth Godin is the author of Linchpin, Tribes, The Dip, Purple Cow, All Marketers Are Liars, and Permission Marketing, as well as other international bestsellers. He is consistently one of the 25 most widely read bloggers in the English language. Read his exclusive Amazon guest review of Making Ideas Happen:

Should you buy a book that will make you uncomfortable?

More questions: Why is it so difficult to ship good ideas out the door? Why do committees show up and wreck the purity of your idea? Why do people avoid doing the hard work of actually bringing their work to the market?

I'll tell you why: Because it's safe. Ideas that never ship are never criticized. Faceless committees accept the blame for tepid products that were probably better off in the warehouse. And managers in search of a place to hide can best hide behind the unshipped product, the unrealized idea and the system gone wrong.

Scott Belsky has your number. He's seen it all before. He knows your excuses, he's seen your shtick and he knows all the ways to avoid doing the work. In this book, Scott's not giving you any place to hide.

There. Do you still want to read his book?

If you care about your art, your job or your market, you really have no choice. This is strategy and tactics, concepts and how-to, all in one on a topic that's often overlooked.

--Seth Godin, author of Linchpin

From Publishers Weekly
Though creation always begins with an idea, ideas don't always lead to creation; examining why that's so, online entrepreneur Belsky finds that, no matter how unique or radically different ideas may be, the individuals and teams who carry those ideas to fruition share a number of common traits, such as engaging peers and leveraging communal forces. In this guide to realizing ideas, Belsky examines those traits in detail. Chapters like "The Chemistry of the Creative Team" set forth an action-based plan that forgoes time-wasting meetings and other corporate culture standbys, citing studies, progressive thinkers and case studies of companies like Best Buy, IBM and Sun Microsystems. Modern-day successes, Belsky contends, have traded "the traditional butts-in-chairs mindset" for a "Results Only Work Environment," where employees are compensated based on achievement of specified goals, rather than work hours. Ultimately, Belsky insists, creative success is a matter of rethinking methods and increasing focus, while emphasizing and rewarding old-fashioned passion and perspiration.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Should you buy a book that will make you uncomfortable?

More questions: Why is it so difficult to ship good ideas out the door? Why do committees show up and wreck the purity of your idea? Why do people avoid doing the hard work of actually bringing their work to the market?

I'll tell you why: Because it's safe. Ideas that never ship are never criticized. Faceless committees accept the blame for tepid products that were probably better off in the warehouse. And managers in search of a place to hide can best hide behind the unshipped product, the unrealized idea and the system gone wrong.

Scott Belsky has your number. He's seen it all before. He knows your excuses, he's seen your shtick and he knows all the ways to avoid doing the work. In this book, Scott's not giving you any place to hide.

There. Do you still want to read his book?

If you care about your art, your job, or your market, you really have no choice. This is strategy and tactics, concepts and how-to, all in one on a topic that's often overlooked."
-Seth Godin, Author, Linchpin

"Ideas are easy. Implementation is hard. This book helps you with the hard part."
-Guy Kawasaki, Co-founder of Alltop and former chief evangelist of Apple

"Making Ideas Happen is timely and vital to a new generation of creative leaders. Ideas are important, but executing on those ideas is the crucial component that so many of us forget about. Great execution is rare, and Belsky lays out practical principles and a clear plan for getting things done. I highly recommend this book!"
-Brad Lomenick, Executive Director, Catalyst

"From his years spent understanding how the most productive entrepreneurs and creative minds operate, Scott Belsky provides a compendium of the knowledge one needs to turn a great idea into something tangible. This is a book about execution, and when it comes to going from idea to a real business, execution is everything."
-JOHN BATELLE, Co-founder of Wired and Boing Boing, founder of Federated Media

"If your creative team or organization struggles to implement their best ideas, or if you find that your own creative projects languish unfinished, you need Making Ideas Happen.
-TERESA AMABILE, Prof. of Business Administration, Dir. of Research, Harvard Business School

"In just one volume, Belsky shows how to execute simply, boldly, powerfully. He reveals the forces and methods that push projects to completion -and how they are accessible to all of us. Practical and perfect ways to implement your ideas with peace of mind."
-LEO BABAUTA, Author of ZenHabits.net and The Power of Less

"I hear people talking all the time about great ideas that never come to life. This book is like a Swiss Army knife for ideas. It offers step-by-step tools to turn ideas into action, and is full of wonderful and enlightening stories of those who have made their ideas happen."
-JI LEE, Creative Director at Google Creative Lab and Founder of the Bubble Project

"Scott Belsky has observed how designers think and has created a way to help them make the complex clear -and the actionable achievable- within the rush of creativity that defines their mind's workspace. His ideas provide an effective way to manage ideation, iteration, and execution."
-RICHARD GREF+, CEO of AIGA

"Belsky's approach has made my life even simpler. Making Ideas Happen demonstrates that ideas of any magnitude are achievable by simply taking one step at a time. Belsky offers an illustrated map to get to the destination of your great ideas."
-SCOTT THOMAS, Design Director, Obama Presidential Campaign

"There are techniques in this book that can turn disorganized creative prima donnas into organized creative prima donnas. It's full of terrific lessons in how to keep great ideas alive."
-CHUCK PORTER, Co-chairman, Crispin Porter + Bogusky

Most helpful customer reviews

445 of 454 people found the following review helpful.
This book is a college course on turning ideas into reality
By B Shimp
When I started reading Making Ideas Happen by Scott Belsky, I had grand hopes. I wanted this book to single-handedly pick my ideas off the dusty shelf in my brain and turn them into million-dollar businesses (or something like that). Maybe that is a little extreme, but I was instantly drawn to this book because I have a hard time making my ideas happen. I suppose I was looking for inspiration and a hidden secret on how to turn any old idea into something of functioning brilliance.

Of course, no book can accomplish that. But Making Ideas Happen is probably going to change my life. Here's the thing. This book is not filled with flowery prose or motivational stories meant to get you off your butt. Instead, this is a college course in taking your idea somewhere. Belsky mines the experiences of a lot of visionary people who all have one thing in common, they were able to make their ideas happen.

If you are still in love with the idea of your idea, you are going to want to get over that pretty quickly. The idea is not the thing, Belsky argues, the execution is the thing. Ideas flow freely, while doing something about them takes a lot of hard work and focus. Making Ideas Happens spends most of its time talking about the nuts and bolts on exactly how you can bring your idea to reality. Warning, it is not easy. Things will stand in your way. Heck, you will get in your own way. You will need great passion and determination. If you can muster those things, then the tips in this book will serve you well. If you just want to be creative all day, well Belsky has advice for that to, get a partner who is a doer.

Scott Belsky argues that you need three things to make any idea happen. He says, "you just need to modify your organizational habits, engage a broader community, and develop your leadership capability."

Getting Organized

If you ever want to move your ideas forward, you need to figure out how to organize them and then how to manage the process of working on them. Belsky spends a lot of time talking about how to manage tasks better. His suggested system involves three main categories, Action Steps, References, and Backburners. One of the problems with ideas is that they hit you at the most inconvenient times. You need a place to store new ideas while you move ahead on current ones.

Belsky suggests that you take a project-based approach to making ideas happen. Each major idea should be a project. Each project should have action steps (the things you currently need to do to move the idea forward), references (the information that feeds the idea but is not necessarily action oriented), and backburners (things for future consideration). Belsky and his team at Behance have actually developed a task management system that incorporates these ideas. It is called the Action Method, and I am currently using it with great success. Look for a review on it soon.

Being organized is the first step toward execution. Creative people have a tendency to flit about from one thing to the next. When a new idea strikes, we leave off on an old one. With a project based approach and a way to organize and create action steps around an idea, you can stay focused and stay creative at the same time.

Collaboration

The next major piece of making ideas happen is collaboration. Belsky argues that all good ideas need a team to move them to completion. I am sure you can find examples where this was not true, but Belsky has great examples of when this was true. Teams make more progress than individuals.

In the book, Belsky spends a lot of time explaining the importance of collaboration. One of the surprising benefits he brings up is skepticism. Having someone on hand to thoroughly vet your idea, to poke it to see if it holds water, is actually a very good thing. One of the best things you can do to make ideas happen, it seems, is to kill the bad ideas quickly.

Of course, there is a lot more that collaboration can get you. When you can get more people than just you excited about your idea, you can take it places. Layer that on top of your ability to organize your idea into a linear project, and you will soon be moving quickly toward final execution on your idea.

Another thing that Belsky brings up is the dynamic of the dreamer and the doer. If you are the dreamer, it may be in your best interest to find a doer to partner with so you can take your idea to market. A dreamer is creative and challenges the status quo. A doer may not see the big picture as well, but they sure can see all the little details needed to get the job done. Gary Vaynerchuk shares similar advice, and this is something that I personally (as a dreamer) have been pondering for a while. Dreamers are sometimes afraid of doers, because they think that they will have to compromise their dream. However, without a doer, sometimes their dream will never see the light of day.

Be the Leader

Finally, to bring your ideas to fruition, you need to step up to the plate and lead. You lead yourself first, by getting organized. Then you create excitement around your idea and build a team. To keep that team motivated and moving your idea forward, you must learn how to work with them, to make them feel important to the process. In the last part of the book, Belsky gives a lot of advice (again, taken from people who have had great success) on how to lead.

There is one big twist in Belsky's advice on leadership. For the most part, this section of the book could be in any leadership or management manual. But Belsky always ties it back to the idea. The idea is the engine that makes everything else possible. So when you lead, you are not doing it as a fancy-pants CEO. You are doing it as the person with the idea, and you are instilling passion every step of the way. Earlier, I pointed out that execution is the thing, not ideas. This is true, but in the end, good execution needs a great idea.

This book is for you:

If you have a great idea (or ideas) but can't get it off the ground
If you are already working on your ideas and want to execute better
If you need to learn a better way to manage tasks and organize projects (read the first part of the book)
If you want to create a dynamic team that buys in to your idea 110%
If you want to enable your team to get more done and achieve more creative results

84 of 91 people found the following review helpful.
An indepth implementation oriented analysis of turning visions into realities
By Roizen
The buzz was high on Making Ideas Happen in the past month, but despite the hype, the book is not disappointing, It's very well structured, easy to read while addressing complex issues. As expected, it's very action oriented and full of tips and best practiced based on tried and true cases. Finished the book in a day, it's a must read both to help understand how to address the challenges of making your ideas become reality, but also as a study of how others in sometime different context apply essentially a similar approach to not let ideas remain just that.
I had been hearing about this book everywhere from different sources, now I understand why. The chapter on The Force of Community is fascinating and captures so many tools that so many chose to ignore in trying to bring their projects to life.

78 of 86 people found the following review helpful.
An okay attempt to structure creativity
By Nancy
Scott Belsky attempts to explain how to translate ideas into action. It is a nice try, but doesn't quite make it.

What I liked about this book:

**the simple, yet powerful breakdown of tasks into: action, reference and backburner. Scott tells us to focus on the action steps.

**explanation of creative types: dreamers, doers and incrementalists. By understanding what drives these folks, you can better communicate with them.

**concrete examples of creative companies that have successfully followed this plan. IDEO is one great example.

What missed the mark with this book:

**it's very repetitive. Scott could have made his points in half the pages. Perhaps he should look for a better editor next time.

**not enough detail about how companies have successfully moved from creative ideas into concrete actions. I believe that success stories will help convince those creative types that process can be a good thing.

**too much mention of Scott's company, Behance. At times, the book seemed like a thinly disguised plug for his company.

**the suggestions are pretty basic Project Management 101. Anyone who's ever had to manage a project knows these steps. Perhaps the creative folks need to hear this though.

In spite of the negatives, I thought this book was an interesting read for anyone, creative type or not. It will help you organize your ideas and also help you deal with other creative types.

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[C897.Ebook] PDF Download Llanelli: Story of a Town, by John Edwards

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John Edwards has written the first-ever comprehensive history of Llanelli. Originally written in Welsh, it was commissioned by Carmarthenshire County Council as a gift to the National Eisteddfod 2000 at Llanelli. The story takes us from the Ice Age to the dawning of the Third Millennium. The first thousand years or so follow the fortunes of the Celts and Romans, through early Welsh history to the coming of the Normans and the loss of Welsh independence. The beginnings of Llanelli centred around the Parish Church and we see the influence of three landed families, the Vaughans, the Stepneys and the Mansels, in the development of the town. From the mid-19th century, it is the production of tinplate which takes pride of place, making Llanelli's tinplate production the largest of any town in the world. The second part of the 20th century sees the demise of heavy industry with Llanelli facing up to a new future based on tourism.

• Sales Rank: #6402772 in Books
• Published on: 2013-10-13
• Format: Import
• Original language: English
• Dimensions: 9.21" h x .47" w x 6.14" l, 1.04 pounds
• Binding: Paperback
• 208 pages

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• Published on: 2004-10-05
• Binding: Paperback

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[L799.Ebook] Download PDF Death of a Ghost (A Hamish Macbeth Mystery), by M. C. Beaton

Download PDF Death of a Ghost (A Hamish Macbeth Mystery), by M. C. Beaton

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Sergeant Hamish Macbeth--Scotland's most quick-witted but unambitious policeman--returns in M.C. Beaton's new mystery in her New York Times bestselling seriesDEATH OF A GHOSTWhen Police Sergeant Hamish Macbeth hears reports of a haunted castle near Drim, he assumes the eerie noises and lights reported by the villagers are just local teenagers going there to smoke pot or, worse, inject themselves with drugs. Still, Hamish decides that he and his policeman, Charlie "Clumsy" Carson, will spend the night at the ruined castle to get to the bottom of the rumors once and for all.There's no sign of any ghost...but then Charlie disappears through the floor. It turns out he's fallen into the cellar. And what Hamish and Charlie find there is worse than a ghost: a dead body propped against the wall. Waiting for help to arrive, Hamish and Charlie leave the castle just for a moment--to eat bacon baps--but when they return, the body is nowhere to be seen. It's clear something strange--and deadly--is going on at the castle, and Hamish must get to the bottom of it before the "ghost" can strike again...

• Sales Rank: #131387 in Books
• Published on: 2017-02-21
• Released on: 2017-02-21
• Formats: Audiobook, CD, Unabridged
• Original language: English
• Number of items: 5
• Dimensions: 5.75" h x .75" w x 5.13" l,
• Running time: 330 minutes
• Binding: Audio CD

Review
"Longing for escape? Tired of waiting for Brigadoon to materialize? Time for a trip to Lochdubh, the scenic, if somnolent, village in the Scottish Highlands where M. C. Beaton sets her beguiling whodunits featuring Constable Hamish Macbeth."―New York Times Book Review

"Hamish Macbeth is that most unusual character, one to whom the reader returns because of his charming flaws. May he never get promoted."―New York Journal of Books

"With residents and a constable so authentic, it won't be long before tourists will be seeking Lochdubh and believing in the reality of Hamish Macbeth as surely as they believed in Sherlock Holmes."―Denver Rocky Mountain News

"Macbeth is the sort of character who slyly grows on you."―Chicago Sun-Times

About the Author
M. C. Beaton has won international acclaim for her New York Times bestselling Hamish Macbeth mysteries. The BBC has aired 24 episodes based on the series. Beaton is also the author of the bestselling Agatha Raisin series, which is now a television show starring Ashley Jensen, available on Acorn and coming soon to PBS. She lives in the Cotswolds with her husband. For more information, you can visit MCBeaton.com.

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4 of 4 people found the following review helpful.
A Solid Outing for the Series
By Joe Da Rold
What the villagers of Drim fear are ghosts in the castle turn out to be smugglers, but are they guilty of multiple murders? Inspector Blair convinces his superiors that the murders have been solved, but Hamish Macbeth’s Highland intuition knows better. This is a solid outing and a good introduction to the series for new readers. Except for Mrs. Wellington, who is trying to marry off Hamish to her niece, most of the offbeat Lochdubh villagers are not in this story, and they are missed. Priscilla and Elspeth only make the briefest of appearances. New readers will not understand why Hamish is missing his wildcat Sonsie, who is still in the wild. One hopes Beaton will finally bring Sonsie back in the next book. As far as other series developments, after an “All About Eve” situation, Hamish’s arch-enemy Inspector Blair attempts to murder a young officer he sees as competition. Blair, who started out as a curmudgeon bureaucrat in this light-hearted mystery series has now become criminally dangerous. Hamish has become one of literature's most beloved characters.

6 of 6 people found the following review helpful.
Great!
By loves mysteries
This was the usual neat Hamish Macbeth mystery novel. Love the style of writing and the expansion of all the interesting characters. Can't wait until the next one.

5 of 5 people found the following review helpful.
As satisfying as the others.
By catsinacradle
Though a ghost plays a minor role in the story, New developments in several backstories are interesting Hamish is still on pins and needles at the end of the story. What I would like to see is Sonsie come back permanently into Hamish's life legally so he can keep her.

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